John D. Loudermilk–An appreciation

Nashville Songwriters Hall of Fame inductee John D. Loudermilk, whose compositions included such pop classics as “Tobacco Road” (a British Invasion hit in 1964 for the Nashville Teens), The Casinos’ “Then You Can Tell Me Goodbye” (1967), and Paul Revere & the Raiders’ “Indian Reservation” (1971), died Sept. 21 at 82.

“So, so sad to hear of the death of great songwriter John D. Loudermilk,” tweeted Rosanne Cash. “’Then you can tell me goodbye…’”

By email, she added: “He was just a teddy bear. The sweetest guy in the world. Hard to conceive that the guy who wrote ‘Tobacco Road’ was the same guy who wrote ‘Then You Can Tell Me Goodbye’, but he contained multitudes.”

Loudermilk, who also sang, also penned such classic pop and country hits as Stonewall Jackson’s “Waterloo” (1959), Johnny Tillotson’s “Talk Back Trembling Lips” (1963), Dick & Dee Dee’s “Thou Shalt Not Steal” (1964), George Hamilton IV’s “Abilene” (1963) and “A Rose and a Baby Ruth” (1956) and Sue Thompson’s “Norman” (1961), “Paper Tiger” (1964) and “Sad Movies (Make Me Cry)” (1961).

“John D. Loudermilk was deserving of wider public recognition,” says veteran performing rights executive Jim Steinblatt. “He was a craftsman with range: He created memorable ‘fluff’ like ‘A Rose and a Baby Ruth’ and ‘Norman’ and searing songs of social significance like ‘Tobacco Road’ and ‘Indian Reservation.’ While the average music lover never knew his name, performers knew he was a source of great material–Lou Rawls, Marianne Faithfull, the Flying Burrito Brothers and Linda Ronstadt, to name just a few. Loudermilk was a stalwart American tunesmith–a vanishing breed.”

“John D. Loudermilk had the songwriting market cornered,” says music historian John Alexander, singling out Johnny Cash’s version of Loudermilk’s “Bad News.”

“He could write a heartbreakingly beautiful ballad just as easily as he could a clever novelty gem. Johnny Cash’s rendition of Loudermilk’s ‘Bad News’ is certainly one of Cash’s most animated performances. He takes on the part of the ornery outlaw with a full-throated laugh and no apologies for all the horrible things he’s done.”

Loudermilk, adds Alexander, “could then turn around and write the visually stunning ‘Abilene’ for George Hamilton IV, and one of the Everly Brothers’ greatest songs of all, the haunting and tragic ‘Ebony Eyes.’ That song alone would rank Loudermilk among the finest of songwriters of his generation, not to mention dozens of other classic compositions that crossed all genres from pop to folk to country to the blues.”

Recording Academy president/CEO Neil Portnow cited in a statement Loudermilk’s “uncanny ability to create songs that crossed genres and to draw fans in with captivating stories.”

“’Tobacco Road,’ one of his best-known tunes, has been covered nearly 200 times and remains a testament to John’s ability to connect with audiences through authentic lyrics,” noted Portnow. “John came from humble beginnings. The first instrument he learned to play was a ukulele made from a cigar box, but it proved to be the start of a career that included a Grammy win and many hits. He is a reminder that talent can come from anywhere and music must be nurtured.”

Buckwheat Zydeco–An appreciation

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(Alligator Records)

If all anyone knows of zydeco is Buckwheat Zydeco, well, it’s both the perfect place to start and. Stanley “Buckwheat” Dural Jr., who died Sept. 24 at 68, exemplified the zydeco genre of South Louisiana, such that his very stage name embodied it.

“It’s been said many times–I’ve heard it said many times—but it’s true: For multitudes of people Buckwheat Zydeco was the introduction to zydeco music,” says popular radio and TV personality Todd Ortego, who programs zydeco—the propulsive mix of French Cajun music with Creole music and African-American Creole music traditions of R&B, blues, jazz, and gospel–along with Cajun and swamp pop music, on KBON-FM in Eunice, La. Indeed, Dural, who played organ in zydeco king Clifton Chenier’s Red Hot Louisiana Band before launching Buckwheat Zydeco in 1979, was the first zydeco artist to sign with a major label (Island Records, in 1987).

Buckwheat Zydeco also performed in the Summer Olympics closing ceremonies in Atlanta in 1996, won an Emmy in 2002 for the music in the TV movie Pistol Pete: The Life and Times of Pete Maravich, took the 2010 Best Zydeco or Cajun Music Album Grammy award for Lay Your Burden Down, and performed with the varied likes of Eric Clapton, U2, Robert Plant and the Boston Pops. Dural and the band also played both Bill Clinton presidential inaugurations.

“If zydeco music had a rock star, it was Buckwheat Zydeco,” says Herman Fuselier, music and eentertainment reporter for The Daily Advertiser in Lafayette. “Buckwheat wasn’t the first zydeco artist to tour nationally and internationally, but no one else comes close to the massive and consistent success he enjoyed.”

Dural’s music “was literally heard by millions for more than 30 years,” continues Fuselier, “a rare feat for not only zydeco and many roots musicians. When he played the closing ceremonies of the Olympics in Atlanta in 1996, the TV audience was three billion people. But he also had numerous appearances on David Letterman, toured and collaborated with Eric Clapton, Willie Nelson and other big names, won an Emmy and a Grammy, and the list goes on and on.”

In a statement, Recording Academy president/CEO Neil Portnow said: “Buckwheat Zydeco embodied a genre and represented a community with his signature playing style that brought distinctly Creole zydeco music to fans across the globe. Buckwheat played both for and with legends, performing at both Clinton inaugurations, touring with Eric Clapton, and collaborating with a seemingly endless list of artists over his 40-plus year career. He won an Emmy for his work in TV and a Grammy in the genre he helped define. The world lost a music heavyweight.”

Concludes Fuselier, “He showed how popular a zydeco musician could be and did it on his own terms. He was always adamant that fans, promoters and everyone else knew that he wasn’t playing Cajun music, but zydeco, the black Creole accordion music that he grew up with in Lafayette, La. He shared his roots with everyone and made millions of people happy along the way.”