John D. Loudermilk–An appreciation

Nashville Songwriters Hall of Fame inductee John D. Loudermilk, whose compositions included such pop classics as “Tobacco Road” (a British Invasion hit in 1964 for the Nashville Teens), The Casinos’ “Then You Can Tell Me Goodbye” (1967), and Paul Revere & the Raiders’ “Indian Reservation” (1971), died Sept. 21 at 82.

“So, so sad to hear of the death of great songwriter John D. Loudermilk,” tweeted Rosanne Cash. “’Then you can tell me goodbye…’”

By email, she added: “He was just a teddy bear. The sweetest guy in the world. Hard to conceive that the guy who wrote ‘Tobacco Road’ was the same guy who wrote ‘Then You Can Tell Me Goodbye’, but he contained multitudes.”

Loudermilk, who also sang, also penned such classic pop and country hits as Stonewall Jackson’s “Waterloo” (1959), Johnny Tillotson’s “Talk Back Trembling Lips” (1963), Dick & Dee Dee’s “Thou Shalt Not Steal” (1964), George Hamilton IV’s “Abilene” (1963) and “A Rose and a Baby Ruth” (1956) and Sue Thompson’s “Norman” (1961), “Paper Tiger” (1964) and “Sad Movies (Make Me Cry)” (1961).

“John D. Loudermilk was deserving of wider public recognition,” says veteran performing rights executive Jim Steinblatt. “He was a craftsman with range: He created memorable ‘fluff’ like ‘A Rose and a Baby Ruth’ and ‘Norman’ and searing songs of social significance like ‘Tobacco Road’ and ‘Indian Reservation.’ While the average music lover never knew his name, performers knew he was a source of great material–Lou Rawls, Marianne Faithfull, the Flying Burrito Brothers and Linda Ronstadt, to name just a few. Loudermilk was a stalwart American tunesmith–a vanishing breed.”

“John D. Loudermilk had the songwriting market cornered,” says music historian John Alexander, singling out Johnny Cash’s version of Loudermilk’s “Bad News.”

“He could write a heartbreakingly beautiful ballad just as easily as he could a clever novelty gem. Johnny Cash’s rendition of Loudermilk’s ‘Bad News’ is certainly one of Cash’s most animated performances. He takes on the part of the ornery outlaw with a full-throated laugh and no apologies for all the horrible things he’s done.”

Loudermilk, adds Alexander, “could then turn around and write the visually stunning ‘Abilene’ for George Hamilton IV, and one of the Everly Brothers’ greatest songs of all, the haunting and tragic ‘Ebony Eyes.’ That song alone would rank Loudermilk among the finest of songwriters of his generation, not to mention dozens of other classic compositions that crossed all genres from pop to folk to country to the blues.”

Recording Academy president/CEO Neil Portnow cited in a statement Loudermilk’s “uncanny ability to create songs that crossed genres and to draw fans in with captivating stories.”

“’Tobacco Road,’ one of his best-known tunes, has been covered nearly 200 times and remains a testament to John’s ability to connect with audiences through authentic lyrics,” noted Portnow. “John came from humble beginnings. The first instrument he learned to play was a ukulele made from a cigar box, but it proved to be the start of a career that included a Grammy win and many hits. He is a reminder that talent can come from anywhere and music must be nurtured.”