Concert Highlights–Nice as F**k at Bowery Ballroom, 8/1/2016

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(Photo: Chalkie Davies)

If they were just a flash in the pan, Nice as Fuck, or Nice as F**k, or NAF was a blinding flash in an intimate pan, based on the trio’s two rapid-fire 30-minute sets Monday night at the Bowery Ballroom, following two similar ones at the Deep End Club closing party Friday night.

NAF acutally formed earlier this year at Tennessee Thomas’s East Village boutique/community center, which the former Like drummer launched three years ago. Fronted by Jenny Lewis, NAF is a girl supergroup of sorts, with Thomas on drums and Au Revoir Simone’s Erika Forster on bass. Sharing the shop owner’s activism on behalf of progressive causes (it grew out of her involvement in the Occupy movement and became the home for activities concerning other issues like women’s rights and fracking), the band debuted at Bern NY Bern, an April fundraiser for Bernie Sanders at New York club Flash Factory. Thomas had supported Sanders mightily in the media—even including an interview on BBC Newsnight–and at her store.

“It’s hard to sustain a business on Peace & Love alone,” Thomas wrote on her Facebook page when announcing the Deep End Club’s closing concert. “For 3 magical years we’ve used [it] to promote peace & love. [It] has been our clubhouse & birthed NICE AS FUCK! The band has taken the message on tour, & what a beautiful note to end our east village experience on!”

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Deep End Club closing concert (Photo: Jim Bessman)

Indeed, it was in the store window that NAF wrote and rehearsed the songs on their self-titled nine-song EP, which Lewis released in June on her Love’s Way label. According to Thomas’s father Pete Thomas—better recognized as the Rock and Roll Hall of Fame drummer behind Elvis Costello—the EP was cut in some guy’s bedroom in one week at a cost of $1,000.

Tennessee noted the “very sad” news of the shop closing when called upon by Lewis to explain the NAF song “Cookie Lips” during the band’s Bowery Ballroom sets.

“It’s about getting ‘crumbs of affection,’” she said, “when you get crumbs of affection—like texting—and want the whole cookie!” Such a thing is sometimes possible, she exclaimed, citing “the good news” of Forster being six months pregnant.

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(Photo: Jim Bessman)

NAF had come out following a great mix of ‘60s and ‘70s records from Alix Brown, like Tennessee a great DJ, musician, activist and Deep End Club habitue. She was stationed at the back of the Bowery Ballroom stage, hidden by a throng of attendees on stage, too, and a big balloon “tree” tying in with the closing night Deep End Club decor; NAF, then, was set up in the middle of the floor, in about as small a space as the Deep End Club window, their gear placed before a big peace sign light fixture and sealed off by velvet ropes until just before the gals came out, so that when they did, there was no separation between populist band and adoring populace.

Tennessee played what was essentially a practice kit intended for Costello tour rehearsals, Pete said—a Sanders t-shirt covering the snare. It was small enough to fit in the Deep End Club window, and featured a bass drum head painted a light blue, red and white target by handyman Pete to match the store colors.

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(Photo: Sarah Tate)

NAF wore their customary green army fatigues, black berets, and “Nice As Fuck” t-shirts–as did many of the like-age young women surrounding them, some also wearing shirts emblazoned with the NAF motto “Give A Damn,” and all knowing all the band’s lyrics and singing along. Lewis, who contributed spare phrases and effects on a little keyboard, sang to everyone circling her and the others, even embracing one while singing. Especially on “Higher,” she resembled Patti Smith–otherwise it was a minimalist drum-and-bass sound, though quite a groovy one thanks to Tennessee and Forster. Pete rightly likened the overall sensation, visually and sonically, to that of an amphitheater.

Going through the entire EP in real time, NAF reminded me of Danny Fields and how he told me that a major reason he signed The Ramones (whom Brown played during her warmup) to management was that their sets clocked in at under 20 minutes. Even at a good 10 minutes longer, I’m sure he’d have loved NAF, who closed strong with the Ramones-like “Door” and “Guns” (its “I don’t wanna be afraid/Put your guns away” couplet made for an easy, committed singalong), and the thrice-repeated “NAF Theme”: “We’re Nice…as Fuck! Wish you…good luck!”—maybe their generation’s “Fish Cheer.”

And with that they smiled, flashed two-handed peace signs, and were gone—maybe for good. Forster’s having a baby, Tennessee’s taking time off, and Lewis “is going back to being Jenny Lewis,” said Pete. Of the show—especially the second set—he commented: “very inspiring.”

But Pete’s friend Joe Blaney, whose engineering credits range from The Clash to Prince, felt that NAF could still pick up where they left off at any time, and as Tennessee wrote in her Facebook announcement of her shop’s closing, “The Deep End Club will definitely re-emerge in another form in the future.. But thedeependclub.com in the meantime! Here’s to PEACE AND LOVE!”

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